Small Monuments (wedge/tray) 2008
Acrylic-Plexi, water, carpet, cement
Approx. 18x18x24 inches
Ode to Marvel
Installation of various works from the series
Untitled (coke floor) 2007
Coca-Cola, Clear tape
60x60x.75'“
Poem for the Senses 2016
Vinyl flooring
60x18x72”
The Sun Wears Away Buildings and Cars 2016
latex and cement; performance ephemera as part of the Ode to Marvel series
approx. 52x30x10”
Lindenburg Baby 2007
Bronze
Trapings (and the Bering Straight) 2010
Installation
Sometimes Do Only What You’re Obligated To 2010
metal, paint, acrylic-plexi, foot straps
approx. 4x4x7’
Untitled (mock drop) 2009
metal, wire, flour
dimensions vary
Untitled (3 constructed corners) 2016
Cement, vinyl flooring, wood
14x6x20'“ each
Working Together 2010
Concrete, scale, wood, canvas
The Air Up There 2009
an installation made in collaboration with artist Cameron Crone.
Public Display of Feng Shui 2013
Installation
The questions I ask, are questions they’ve already asked long ago and i hate it 2016
plastic containers, dirt, glue
Approx. 36x36x10”
Untitled (drains) 2007
wood, styrofoam, metal, paint, acrylic-plexi, water
approx. 30x30x24” each
Untitled (Confessions) 2011
cardboard, metal, window screens
dimensions vary
I Forgot How I Ran This 2010
Installation
Rituals for Finding Your Way Home 2012
Rituals for Finding Your Way Home was a ritualistic ceremony made in collaboration with artist Amanda Yates. Hosted at Side Street Projects in Pasadena, CA, the evening began with viewers participating in a cleansing and effigy building workshop with Amanda. Nearby I drew on the ground with a stick and poured sand. I began drawing from the center of four cinder block pillars creating what would become a large maze. This maze’s contours derived from references to ancient ritualistic mazes of the past laid over one another, and erased to form a path for a completely new maze. Participants could drift over to watch the ceremonial creation of this maze and go back to the workshop creating effigies from personal and symbolic objects that represented notions of ‘home.’ As the sun set, participants lead by Amanda entered the completed maze from four different entrances each leading to one of the four pillars. Each pillar would come to represent the notions of north, east, south and west. Placing their completed effigies on each of these pillars participants were guided through ritualistic chant with Amanda. The whole ceremony acted as focus on the idea of home and location- both physically and symbolically.
As Hard as You Can 2010
an installation made in collaboration with artist Alex Meadows shown at the Bush Administration Gallery in Riverside, CA. The work shown joins ephemera from two separate events each artist participated in as an equal exchange of experiences.
Adventures in Bankruptcy 2009
cork board, prints, styrofoam, enamel paint, wood
40x40x60”
Spinning Neurosis 2008
office chair, speaker, motor, mp3 player
A square section of realitie’s diary 2008
drywall, acrylic plexi, wood, water
approx. 36x24x36”
Untitled (concrete bust) 2013
concrete, cellophane
22x10x20”
Untitled (treadmill sunsets) 2006
treadmill, yoga-ball, chair
36x60x66”
Untitled (trampoline music) 2007
interactive sculpture and video
Sandwiched Coke Floor 2007
carpet,wood,concrete,picnic blanket,acrylic-plexi,pump,coca-cola
68x68x4”
Sad Sac 2007
Wire, filament, water balloons, laser levels
dimensions vary
NAH 2007
acrylic-Plexi, enamel paint
8x8x10”
Carpet Coliseum 2007
carpet, glue
48x38x4”
A Thought in Three Parts 2007
installation of various works
Trash Float 2007
This was a performance/installation where I gathered trash in my studio and began filling it with helium. I would throw the inflated trash outside my studio door throughout the afternoon. The trash would wander and float around the halls of the sculpture building. Most of the photos shown here were taken were by other people witnessing the trash float around. The last photos show how the next day, most of the trash had collected onto an air vent.